Whelans, Dublin: Wednesday 29th May, 2019.
Doors 7:30pm | Over 18’s | ID Required
A chance meeting with a city that revived his desire to record and perform. A new professional environment that saw opportunities instead of problems in the new music business era. Not least the chance to play live so often that the songs get their own life.
Eagle-Eye Cherry was a few years ago not convinced that he would continue to wander the artist path. But a series of happy circumstances turned the hesitation into a series of exclamations. This has now led to the album “Streets of You”, his fifth since the 1997 debut album “Desireless”.
“I had begun to appreciate being anonymous again. Being able to hang around with my family. Play football on weekends. In addition, like many other musicians of my generation, I felt quite lost to the new era of streaming songs instead of albums” reflects Eagle-Eye Cherry today.
In that situation, the first of happy circumstances arose.
Eagle-Eye switched management after 18 years and started collaborating with one that saw only openings made possible by the new technology.
The second and redeeming factor was Eagle-Eye ending up in Nashville:
“I was eager to co-write with other songwriters and had tested it in Los Angeles, but I simply did not communicate with that town. Nashville, on the other hand, I totally loved. The general attitude, the fact that Nashville still breathes music through all the veins, that one can always go out and listen to live music. But not least that everyone applauds the one who succeeds. I got the lust back, reached a strong “aha” feeling. ”
The exact location of Eagle-Eyes newly found euphoria was Blackbird Studios. For the last two decades Blackbird has been among the most celebrated recording environments in popular music. Cherry also fell in love with place while he recorded a couple of songs there. After transforming that feeling into the actual plan of an entire album, the recordings continued in Sweden’s possible counterpart, The Atlantis studio in Stockholm, home of recordings with everyone from ABBA to Elvis Costello and on.
Phase two in the recording process that led to “Streets of You” meant cooperation with Swedish producer Peter Kvint and a longer session in the said Atlantis.
“We recorded extremely old school with a great band for ten days. I tested quite a few songs and it all landed in this album. I still love the album as a format. Later on, I might also go to EP and more focus on fewer songs, but so far this will be the case.”
One of the musicians on the album is American drummer Earl Harvin, who Eagle-Eye once first saw in UK act The The.
With “Streets of You”, Eagle-Eye Cherry wants to revive the general feeling he and his fans had in particular in 1997 – from the breakthrough with “Save Tonight” – and up to a few years into the 21st century.
During that period Cherry was a beloved institution at clubs, theaters and festivals throughout Europe, but also in his second major market, Brazil (“I was in a surf movie there and got a faithful core audience that remains til this day”).
His followers loved the kind of very personal pop-rock that emerged when he in the early 90s searched for his own musical formula after growing up in a mainly jazz focused environment – Eagle-Eye’s dad, trumpeter Don, was a jazz icon and sister Neneh also often looked into jazz territories with her music. Eagle-Eye himself ended up with a kind of singer/songwriter idiom that he today labels “folk country”.
“I lived in Stockholm in a sublet apartment including a very simple guitar. I started playing and making songs completely improvised. Previously I had played percussion and keyboards and rhythm-based music. Now everything was suddenly based in lyrics and melody. Some kind of folk with lyrics that described situations. Only later I started listening to Neil Young and Bob Dylan, but then I had already found my style. ”